Reviews
Some highlights
Festival of Outback Opera:
with Queensland Symphony Orchestra & Sumi Jo, world famous lyric coloratura soprano
“Conductor Vanessa Scammell was authoritative and always supportive in her direction of the talented scratch orchestra of Queensland Symphony Orchestra and UQ students, which consistently enabled strong solo performance. Shikara Ringdahl channelled a powerful Stride la vampa from Verdi’s Il Travatore, with her rich Wagnerian tone and lower register of cushioning depth.
Josh Pyke:
with the Adelaide Symphony Orchestra
“Joining him was conductor Vanessa Scammell, who gracefully glided onto her platform intent on directing this once-in-a-lifetime event to the status of “beyond memorable.”
disco wonderland
with the Sydney Symphony Orchestra
“Conducted by the charismatic Vanessa Scammell, whose diamante-riddled pants sparkled under Peter Rubie’s lights, the opener ‘I will survive’ swelled rather than launched as acclaimed orchestral live sound guy Des O’Neill wrangled 95 channels on a Yamaha Rivage PM10 console.”
“Classic after classic follows with ‘Fantasy’ and ‘If You Could Read My Mind’, conductor Vanessa Scammell bobbing up and down like an energiser bunny. ‘Salsation’ builds into a frenetic cacophony of pleasantly dissonant notes, and the might of the orchestra is revealed.”
– Scenestr
Piano Man
with the Adelaide Symphony Orchestra
“There is a reason why Vanessa Scammell is one of Australia’s most in-demand conductors and musical directors. She has the magical ability to get pop nuances from even the most classically trained musicians, hitting the right accents or phrasing for a particular melody. Scammell is mesmerising to watch. Her hands and baton weave a musical spell and the result is an aural feast of the most epic proportions. The Adelaide Symphony Orchestra (ASO) poured their own magic into Billy Joel’s music.”
“Under the masterful baton of Vanessa Scammell, The ASO and rhythm section shone from the first notes and the concert delivered a memorable, reflective and ultimately uplifting experience.”
“From the moment our acclaimed conductor Vanessa Scammell raised her baton, it was most certainly clear that this was no ordinary tribute concert. The ASO, renowned for their rich, full-bodied sound, brought a new and vibrant depth to Billy Joel’s classics (and holy moly he has quite the few), making even the most familiar tunes feel fresh and exciting. “
“But, let’s chat about Vanessa for a moment. Her fabulously blonde mane, wonderful spunky fashion and her inate talent is joyful to watch. She holds court effortlessly and quite often your eyes are drawn only to her on stage as she flicks her wrists and gestures to her adoring orchestra. Scammell is at the top of the game and she got there by being extraordinarily great at her job. A master and very engaging on stage.”
ELECTRIC FIELDS:
with the Sydney Symphony Orchestra
“They Sydney Symphony Orchestra added superb and svelte depth to this famous track and to all in the selection, led with clear energy by conductor Vanessa Scammell. The overture to this popular group’s arrival on the stage growled with atmosphere, showing off the evocative skill of our local band in collaboration mode.”
“It’s always delightful to conduct with the Sydney Symphony Orchestra. They’re true professionals, playing the arrangements with incredible expertise every time, which adds that extra layer of atmosphere and ambience to lift everything into another sphere.”
The Cat Empire:
with the Queensland Symphony Orchestra
“The Queensland Symphony Orchestra was led by the capable and highly sophisticated Vanessa Scammell who conducted the musicians with ease, while allowing the instrumentalists the space to find their groove and bring their own element to the performance.”
“Orchestral arrangements by The Cat Empire’s music director and trumpeter Roscoe James Irwin were in full flight from the outset of the overture, expertly conducted by Vanessa Scammell. In an immediate nod to their origins, the first song performed was ‘How to Explain,’ the opener from their debut, self-titled studio album from 2003, and reminded us that ‘music is the language of us all.’”
Harry Potter:
with the Adelaide Symphony Orchestra
“Vanessa Scammell, a renowned conductor, will lead the Adelaide Symphony Orchestra, ensuring a top-notch performance that does justice to the beloved film score.”
– Kiddo
Meg Washington:
with the Melbourne Symphony Orchestra
“It feels like a delicious idea to take on the task of singing with the symphony orchestra”
Watch Meg Washington Live at Hamer Hall with the Melbourne Symphony Orchestra on YouTube.
Casino Royale:
with the Queensland Symphony Orchestra
“The multi-talented conductor Vanessa Scammell was the ideal Bond girl. Dressed in a black cocktail dress, she skilfully conducted the QSO whilst swaying to the funky rhythms. Her diverse conducting repertoire of ballet, musical theatre, opera, pop and classical concerts was also invaluable for the split-second timing required to stay in step with the film. Indeed, the orchestral performance was so slick that early on, I was shocked to look below the screen and see the musicians were still there playing!”
– 4ZZZ
Meg Washington:
with the Sydney Symphony Orchestra
“With Vanessa Scammell conducting the Sydney Symphony Orchestra, Washington’s music thrilled as powerfully as the singer herself. As she introduced the song “Honeysuckle Island”, Washington said she envisaged herself as the island with the music of the orchestra rolling like a tsunami rolling from behind her. And that is a perfect description of the effect of her music played by the orchestra.”
The Man from Snowy River in Concert
with the Melbourne Symphony Orchestra
“In celebration of the enduring legacy of Director George Miller’s iconic Australian film, the live-to-screen performance from the MSO, masterfully conducted by Vanessa Scammell, will showcase the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland.”
“This live-to-screen performance from the MSO, conducted by Vanessa Scammell, showcases the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland. For the first time since its release in 1982, this powerful score is played alongside the nostalgic visuals of this iconic film and the endearing story that has captured the hearts of generations. Seeing Sigrid Thornton and Tom Burlinson on stage was just the icing on the cake and the cherry on top. They are first on stage as they share behind-the-scenes stories and personal experiences. “
“In 1982, the Australian cinema landscape changed forever when The Man from Snowy River captured the hearts of the nation and the world. In celebration of its 40th anniversary year, the Melbourne Symphony Orchestra will perform the award-winning score by Bruce Rowland live to screen for the World Premiere of this iconic film in concert, under the baton of Vanessa Scammell.
This world premiere at Arts Centre Melbourne honours Victoria as the film’s spiritual homeland and offers the unique opportunity to revisit the beloved Australian classic on the big screen with the Melbourne Symphony Orchestra.”
KATE CEBERANO: MY LIFE IS A SYMPHONY
with the Canberra Symphony Orchestra
“For this concert the Canberra Symphony Orchestra was augmented by Ceberano’s key musical collaborators in Paul Cecchinelli on the Steinway grand, Kathleen Halloran (guitar), Jonathon Zion (electric Bass), Gordon Rytmeister (drums and Piano) and backing vocalists Jessica Fairlie and Alison Ainsworth, all conducted by Vanessa Scammell.
But despite the presence of a stage-full of musicians Ceberano quickly established that this concert was not going to be a starchy affair.
After confiding her pleasure in revisiting these favourite songs and the excitement she felt in being able to share these new arrangements with her Canberra audience, she launched into a sublime performance of Sweet Inspiration.”
THE LITTLE MERMAID LAUNCH
at The State Theatre
Electric Fields
with Melbourne Symphony Orchestra for NAIDOC Week 2023
“I had not seen a female conductor up on the MSO stage before so it was an absolute delight to see Vanessa Scammell walk out as the night’s conductor! Wearing a figure-hugging sheer long black dress, with her blonde hair in a messy braid down her back, she looked like a modern-day princess and I found myself mesmerised by her flowing gestures as she guided the musicians throughout the night.“
BIRDS OF TOKYO
with the Melbourne Symphony Orchestra
“There’s no doubt the usual Birds dynamic was challenged by the symphonic merger, leading to a more toned down show from bassist Ian Berney and drummer Weston, but that allowed Kenny’s raw talent and stunning vocals along with Sarangapany’s charisma to shine, with a perfect mix with the flawless orchestra, led by composer Vanessa Scammell.“
with the Queensland Symphony Orchestra
“The songs from Birds of Tokyo lend themselves magnificently to working with an orchestra and under the deft baton of ethereal conductor Vanessa Scammell, who also lent a hand on the piano, the songs were next level good. Good Lord and I’d Go With You Anywhere had the fans clapping and singing along.”
with West Australian Symphony Orchestra
“The Conductor weaves her wand like a protagonist of a JK Rowling classic, orchestrating a magical spell of an acoustic sensation.”
TO BARBARA, WITH LOVE
with the Melbourne Symphony Orchestra
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage. “
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Conductor Vanessa Scammell is quite the fashion plate herself, an evocative black number showcasing her toned arms as she wields the baton with poise and polish. More to the point, she is on top of her game, as is the MSO … giving us a memorable night of entertainment and a celebration of the inimitable Barbra Streisand, which is to be savoured.”
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage.”
SINGING IN THE RAIN IN CONCERT
at QPAC
“No less impressive was Musical Director, Vanessa Scammell, who gave a meticulously prepared reading of this memorable score. From the orchestral ‘Overture’ and ‘Entr’acte’ through some of the best-known songs, she delivered a varied and infinitely colourful palette of sounds.“
– Arts Hub
AN AMERICAN IN PARIS
with The Australian Ballet
“…an ensemble of superlative dancers, including another Australian Ballet soloist, Jake Mangakahia, impressive as Lise Dassin’s partner in the An American in Paris ballet, and of course George and Ira Gershwin lush score, brilliantly adapted and arranged by Rob Fisher, and given a lush performance by an excellent Sydney Orchestra under the attentive baton of Music Director, Vanessa Scammell, and you have a production guaranteed to send you out into the busy Sydney traffic with a spring in your step and perhaps a tear in your eye.“
HARRY POTTER AND THE DEATHLY HALLOWS™ PART 1 IN CONCERT
with The Melbourne Symphony Orchestra
“Performed in concert by the Melbourne Symphony Orchestra and conducted by Vanessa Scammell, Desplat’s compositions elevate the material in a manner that’s more tangible than watching the film at home.“
– FilmInc
FESTIVAL OF OUTBACK OPERA 2022
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Audiences at Singing in the Night were immersed in beautiful music enjoying works from composers including Verdi and Puccini and much-loved musical numbers from shows such as South Pacific, and My Fair Lady.
The performances were led by Australian conductor Vanessa Scammell who curated the program with Camerata’s Artistic Director Brendan Joyce.”
– Aruga
CLASSIC ROCK LIVE
with The Adelaide Symphony Orchestra
“Classic Rock Live truly unearths the raw power of these rock masterpieces with over 50 musicians on-stage with the ASO conducted by the acclaimed Vanessa Scammell and arrangements by the award-winning Jamie Messenger.”
– HIFIWAY
THE BAMBOOS
with The Melbourne Symphony Orchestra
“Having the opportunity to perform our music on stage with the full Melbourne Symphony Orchestra at Hamer hall is really the stuff that dreams are made of. After such a challenging 2020 in Melbourne I feel like these hometown shows are going to be extra cathartic for all involved and so rest assured we’ll be pulling out ALL the stops.”
PETER AND JACK
with Barry Humphries and the Adelaide Symphony Orchestra
“Conductor Vanessa Scammell expertly handles the complexities of various musical styles and innumerable cues, whilst drawing from the Adelaide Symphony Orchestra, impassioned performances of music.”
BROADWAY TO LA SCALA
with the Adelaide Symphony
“A hauntingly beautiful You’ll Never Walk Alone led to a well-deserved standing ovation for the performers and for Musical Director Vanessa Scammell who not only led the sensational Adelaide Symphony Orchestra with energy and restraint as needed, but also possesses the most sculpted ‘set of guns’ ever seen onstage.”
SOUTH PACIFIC
Opera Australia
“From the overture, and the tender opening scene between Emile De Becque (Teddy Tahu Rhodes) and Nellie Forbush (Lisa McCune), the show is already a joy to behold; the 33-piece orchestra, led by Vanessa Scammell, soars.”
HELLO DOLLY
The Production Company
“The tight orchestra is heard at their very best under the exacting baton of musical director Vanessa Scammell. “
SWEENEY TODD
A TEG Life Like Company production
“The orchestra, under the excellent baton of Musical Director Vanessa Scammell, delivers Sondheim’s sometimes operatic and demanding, sharp, dark and spiky score magnificently.”
JECKYL and HYDE
Concertworks
Maestro Vanessa Scammell again illustrates her flair for musical theatre, her meticulous work allowing the score to be heard at its very best. Orchestral music is rich and lush, and vocal harmonies are expertly realised.”
THE MERRY WIDOW
with West Australian Opera
“Taryn Fiebig made her long-overdue company debut as Hanna under the baton of Vanessa Scammell, WA Opera’s first female conductor.”
with Opera Australia at the Sydney Opera House
“Conductor Vanessa Scammell achieves a delightful Viennese sound, having the strings play with disciplined uniformity and maintaining a gossamer-light touch throughout the other instruments. Scammell’s pristine work allows the hummable tunes to be heard at their very best.”
DARK SKY SERENADE & SINGING IN THE NIGHT
with Opera Queensland, Festival of Outback Opera
“All the pieces in the repertoire that Conductor Vanessa Scammell, Camerata and Opera Queensland chose are beautiful.”
Indie Symphony: Videogames in Concert
with Orchestra Victoria
“Hosted by Meena Shamaly from ABC Classic’s Game Show and conducted by Vanessa Scammell, the evening’s program consisted of Indie games from both home and abroad.
Indie Symphony: Videogames in Concert was a truly unique experience, and I am thankful to have had the opportunity to attend.”
Festival of Outback Opera:
with Queensland Symphony Orchestra & Sumi Jo, world famous lyric coloratura soprano
“Conductor Vanessa Scammell was authoritative and always supportive in her direction of the talented scratch orchestra of Queensland Symphony Orchestra and UQ students, which consistently enabled strong solo performance. Shikara Ringdahl channelled a powerful Stride la vampa from Verdi’s Il Travatore, with her rich Wagnerian tone and lower register of cushioning depth.
ELECTRIC FIELDS:
with the Sydney Symphony Orchestra
“They Sydney Symphony Orchestra added superb and svelte depth to this famous track and to all in the selection, led with clear energy by conductor Vanessa Scammell. The overture to this popular group’s arrival on the stage growled with atmosphere, showing off the evocative skill of our local band in collaboration mode.”
“It’s always delightful to conduct with the Sydney Symphony Orchestra. They’re true professionals, playing the arrangements with incredible expertise every time, which adds that extra layer of atmosphere and ambience to lift everything into another sphere.”
The Cat Empire:
with the Queensland Symphony Orchestra
“The Queensland Symphony Orchestra was led by the capable and highly sophisticated Vanessa Scammell who conducted the musicians with ease, while allowing the instrumentalists the space to find their groove and bring their own element to the performance.”
“Orchestral arrangements by The Cat Empire’s music director and trumpeter Roscoe James Irwin were in full flight from the outset of the overture, expertly conducted by Vanessa Scammell. In an immediate nod to their origins, the first song performed was ‘How to Explain,’ the opener from their debut, self-titled studio album from 2003, and reminded us that ‘music is the language of us all.’”
Harry Potter:
with the Adelaide Symphony Orchestra
“Vanessa Scammell, a renowned conductor, will lead the Adelaide Symphony Orchestra, ensuring a top-notch performance that does justice to the beloved film score.”
– Kiddo
Meg Washington:
with the Melbourne Symphony Orchestra
“It feels like a delicious idea to take on the task of singing with the symphony orchestra”
Watch Meg Washington Live at Hamer Hall with the Melbourne Symphony Orchestra on YouTube.
Casino Royale:
with the Queensland Symphony Orchestra
“The multi-talented conductor Vanessa Scammell was the ideal Bond girl. Dressed in a black cocktail dress, she skilfully conducted the QSO whilst swaying to the funky rhythms. Her diverse conducting repertoire of ballet, musical theatre, opera, pop and classical concerts was also invaluable for the split-second timing required to stay in step with the film. Indeed, the orchestral performance was so slick that early on, I was shocked to look below the screen and see the musicians were still there playing!”
– 4ZZZ
Meg Washington:
with the Sydney Symphony Orchestra
“With Vanessa Scammell conducting the Sydney Symphony Orchestra, Washington’s music thrilled as powerfully as the singer herself. As she introduced the song “Honeysuckle Island”, Washington said she envisaged herself as the island with the music of the orchestra rolling like a tsunami rolling from behind her. And that is a perfect description of the effect of her music played by the orchestra.”
The Man from Snowy River in Concert
with the Melbourne Symphony Orchestra
“In celebration of the enduring legacy of Director George Miller’s iconic Australian film, the live-to-screen performance from the MSO, masterfully conducted by Vanessa Scammell, will showcase the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland.”
“This live-to-screen performance from the MSO, conducted by Vanessa Scammell, showcases the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland. For the first time since its release in 1982, this powerful score is played alongside the nostalgic visuals of this iconic film and the endearing story that has captured the hearts of generations. Seeing Sigrid Thornton and Tom Burlinson on stage was just the icing on the cake and the cherry on top. They are first on stage as they share behind-the-scenes stories and personal experiences. “
“In 1982, the Australian cinema landscape changed forever when The Man from Snowy River captured the hearts of the nation and the world. In celebration of its 40th anniversary year, the Melbourne Symphony Orchestra will perform the award-winning score by Bruce Rowland live to screen for the World Premiere of this iconic film in concert, under the baton of Vanessa Scammell.
This world premiere at Arts Centre Melbourne honours Victoria as the film’s spiritual homeland and offers the unique opportunity to revisit the beloved Australian classic on the big screen with the Melbourne Symphony Orchestra.”
KATE CEBERANO: MY LIFE IS A SYMPHONY
with the Canberra Symphony Orchestra
“For this concert the Canberra Symphony Orchestra was augmented by Ceberano’s key musical collaborators in Paul Cecchinelli on the Steinway grand, Kathleen Halloran (guitar), Jonathon Zion (electric Bass), Gordon Rytmeister (drums and Piano) and backing vocalists Jessica Fairlie and Alison Ainsworth, all conducted by Vanessa Scammell.
But despite the presence of a stage-full of musicians Ceberano quickly established that this concert was not going to be a starchy affair.
After confiding her pleasure in revisiting these favourite songs and the excitement she felt in being able to share these new arrangements with her Canberra audience, she launched into a sublime performance of Sweet Inspiration.”
THE LITTLE MERMAID LAUNCH
at The State Theatre
Electric Fields
with Melbourne Symphony Orchestra for NAIDOC Week 2023
“I had not seen a female conductor up on the MSO stage before so it was an absolute delight to see Vanessa Scammell walk out as the night’s conductor! Wearing a figure-hugging sheer long black dress, with her blonde hair in a messy braid down her back, she looked like a modern-day princess and I found myself mesmerised by her flowing gestures as she guided the musicians throughout the night.“
BIRDS OF TOKYO
with the Melbourne Symphony Orchestra
“There’s no doubt the usual Birds dynamic was challenged by the symphonic merger, leading to a more toned down show from bassist Ian Berney and drummer Weston, but that allowed Kenny’s raw talent and stunning vocals along with Sarangapany’s charisma to shine, with a perfect mix with the flawless orchestra, led by composer Vanessa Scammell.“
with the Queensland Symphony Orchestra
“The songs from Birds of Tokyo lend themselves magnificently to working with an orchestra and under the deft baton of ethereal conductor Vanessa Scammell, who also lent a hand on the piano, the songs were next level good. Good Lord and I’d Go With You Anywhere had the fans clapping and singing along.”
with West Australian Symphony Orchestra
“The Conductor weaves her wand like a protagonist of a JK Rowling classic, orchestrating a magical spell of an acoustic sensation.”
TO BARBARA, WITH LOVE
with the Melbourne Symphony Orchestra
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage. “
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Conductor Vanessa Scammell is quite the fashion plate herself, an evocative black number showcasing her toned arms as she wields the baton with poise and polish. More to the point, she is on top of her game, as is the MSO … giving us a memorable night of entertainment and a celebration of the inimitable Barbra Streisand, which is to be savoured.”
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage.”
SINGING IN THE RAIN IN CONCERT
at QPAC
“No less impressive was Musical Director, Vanessa Scammell, who gave a meticulously prepared reading of this memorable score. From the orchestral ‘Overture’ and ‘Entr’acte’ through some of the best-known songs, she delivered a varied and infinitely colourful palette of sounds.“
– Arts Hub
AN AMERICAN IN PARIS
with The Australian Ballet
“…an ensemble of superlative dancers, including another Australian Ballet soloist, Jake Mangakahia, impressive as Lise Dassin’s partner in the An American in Paris ballet, and of course George and Ira Gershwin lush score, brilliantly adapted and arranged by Rob Fisher, and given a lush performance by an excellent Sydney Orchestra under the attentive baton of Music Director, Vanessa Scammell, and you have a production guaranteed to send you out into the busy Sydney traffic with a spring in your step and perhaps a tear in your eye.“
HARRY POTTER AND THE DEATHLY HALLOWS™ PART 1 IN CONCERT
with The Melbourne Symphony Orchestra
“Performed in concert by the Melbourne Symphony Orchestra and conducted by Vanessa Scammell, Desplat’s compositions elevate the material in a manner that’s more tangible than watching the film at home.“
– FilmInc
FESTIVAL OF OUTBACK OPERA 2022
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Audiences at Singing in the Night were immersed in beautiful music enjoying works from composers including Verdi and Puccini and much-loved musical numbers from shows such as South Pacific, and My Fair Lady.
The performances were led by Australian conductor Vanessa Scammell who curated the program with Camerata’s Artistic Director Brendan Joyce.”
– Aruga
CLASSIC ROCK LIVE
with The Adelaide Symphony Orchestra
“Classic Rock Live truly unearths the raw power of these rock masterpieces with over 50 musicians on-stage with the ASO conducted by the acclaimed Vanessa Scammell and arrangements by the award-winning Jamie Messenger.”
– HIFIWAY
THE BAMBOOS
with The Melbourne Symphony Orchestra
“Having the opportunity to perform our music on stage with the full Melbourne Symphony Orchestra at Hamer hall is really the stuff that dreams are made of. After such a challenging 2020 in Melbourne I feel like these hometown shows are going to be extra cathartic for all involved and so rest assured we’ll be pulling out ALL the stops.”
PETER AND JACK
with Barry Humphries and the Adelaide Symphony Orchestra
“Conductor Vanessa Scammell expertly handles the complexities of various musical styles and innumerable cues, whilst drawing from the Adelaide Symphony Orchestra, impassioned performances of music.”
BROADWAY TO LA SCALA
with the Adelaide Symphony
“A hauntingly beautiful You’ll Never Walk Alone led to a well-deserved standing ovation for the performers and for Musical Director Vanessa Scammell who not only led the sensational Adelaide Symphony Orchestra with energy and restraint as needed, but also possesses the most sculpted ‘set of guns’ ever seen onstage.”
SOUTH PACIFIC
Opera Australia
“From the overture, and the tender opening scene between Emile De Becque (Teddy Tahu Rhodes) and Nellie Forbush (Lisa McCune), the show is already a joy to behold; the 33-piece orchestra, led by Vanessa Scammell, soars.”
HELLO DOLLY
The Production Company
“The tight orchestra is heard at their very best under the exacting baton of musical director Vanessa Scammell. “
SWEENEY TODD
A TEG Life Like Company production
“The orchestra, under the excellent baton of Musical Director Vanessa Scammell, delivers Sondheim’s sometimes operatic and demanding, sharp, dark and spiky score magnificently.”
JECKYL and HYDE
Concertworks
Maestro Vanessa Scammell again illustrates her flair for musical theatre, her meticulous work allowing the score to be heard at its very best. Orchestral music is rich and lush, and vocal harmonies are expertly realised.”
THE MERRY WIDOW
with West Australian Opera
“Taryn Fiebig made her long-overdue company debut as Hanna under the baton of Vanessa Scammell, WA Opera’s first female conductor.”
with Opera Australia at the Sydney Opera House
“Conductor Vanessa Scammell achieves a delightful Viennese sound, having the strings play with disciplined uniformity and maintaining a gossamer-light touch throughout the other instruments. Scammell’s pristine work allows the hummable tunes to be heard at their very best.”
DARK SKY SERENADE & SINGING IN THE NIGHT
with Opera Queensland, Festival of Outback Opera
“All the pieces in the repertoire that Conductor Vanessa Scammell, Camerata and Opera Queensland chose are beautiful.”
Indie Symphony: Videogames in Concert
with Orchestra Victoria
“Hosted by Meena Shamaly from ABC Classic’s Game Show and conducted by Vanessa Scammell, the evening’s program consisted of Indie games from both home and abroad.
Indie Symphony: Videogames in Concert was a truly unique experience, and I am thankful to have had the opportunity to attend.”
ELECTRIC FIELDS:
with the Sydney Symphony Orchestra
“There is a reason why Vanessa Scammell is one of Australia’s most in-demand conductors and musical directors. She has the magical ability to get pop nuances from even the most classically trained musicians, hitting the right accents or phrasing for a particular melody. Scammell is mesmerising to watch. Her hands and baton weave a musical spell and the result is an aural feast of the most epic proportions.”
“Her fabulously blonde mane, wonderful spunky fashion and her inate talent is joyful to watch. She holds court effortlessly and quite often your eyes are drawn only to her on stage as she flicks her wrists and gestures to her adoring orchestra. Scammell is at the top of the game and she got there by being extraordinarily great at her job. A master and very engaging on stage.”
ELECTRIC FIELDS:
with the Sydney Symphony Orchestra
“They Sydney Symphony Orchestra added superb and svelte depth to this famous track and to all in the selection, led with clear energy by conductor Vanessa Scammell. The overture to this popular group’s arrival on the stage growled with atmosphere, showing off the evocative skill of our local band in collaboration mode.”
“It’s always delightful to conduct with the Sydney Symphony Orchestra. They’re true professionals, playing the arrangements with incredible expertise every time, which adds that extra layer of atmosphere and ambience to lift everything into another sphere.”
The Cat Empire:
with the Queensland Symphony Orchestra
“The Queensland Symphony Orchestra was led by the capable and highly sophisticated Vanessa Scammell who conducted the musicians with ease, while allowing the instrumentalists the space to find their groove and bring their own element to the performance.”
“Orchestral arrangements by The Cat Empire’s music director and trumpeter Roscoe James Irwin were in full flight from the outset of the overture, expertly conducted by Vanessa Scammell. In an immediate nod to their origins, the first song performed was ‘How to Explain,’ the opener from their debut, self-titled studio album from 2003, and reminded us that ‘music is the language of us all.’”
Harry Potter:
with the Adelaide Symphony Orchestra
“Vanessa Scammell, a renowned conductor, will lead the Adelaide Symphony Orchestra, ensuring a top-notch performance that does justice to the beloved film score.”
– Kiddo
Meg Washington:
with the Melbourne Symphony Orchestra
“It feels like a delicious idea to take on the task of singing with the symphony orchestra”
Watch Meg Washington Live at Hamer Hall with the Melbourne Symphony Orchestra on YouTube.
Casino Royale:
with the Queensland Symphony Orchestra
“The multi-talented conductor Vanessa Scammell was the ideal Bond girl. Dressed in a black cocktail dress, she skilfully conducted the QSO whilst swaying to the funky rhythms. Her diverse conducting repertoire of ballet, musical theatre, opera, pop and classical concerts was also invaluable for the split-second timing required to stay in step with the film. Indeed, the orchestral performance was so slick that early on, I was shocked to look below the screen and see the musicians were still there playing!”
– 4ZZZ
Meg Washington:
with the Sydney Symphony Orchestra
“With Vanessa Scammell conducting the Sydney Symphony Orchestra, Washington’s music thrilled as powerfully as the singer herself. As she introduced the song “Honeysuckle Island”, Washington said she envisaged herself as the island with the music of the orchestra rolling like a tsunami rolling from behind her. And that is a perfect description of the effect of her music played by the orchestra.”
The Man from Snowy River in Concert
with the Melbourne Symphony Orchestra
“In celebration of the enduring legacy of Director George Miller’s iconic Australian film, the live-to-screen performance from the MSO, masterfully conducted by Vanessa Scammell, will showcase the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland.”
“This live-to-screen performance from the MSO, conducted by Vanessa Scammell, showcases the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland. For the first time since its release in 1982, this powerful score is played alongside the nostalgic visuals of this iconic film and the endearing story that has captured the hearts of generations. Seeing Sigrid Thornton and Tom Burlinson on stage was just the icing on the cake and the cherry on top. They are first on stage as they share behind-the-scenes stories and personal experiences. “
“In 1982, the Australian cinema landscape changed forever when The Man from Snowy River captured the hearts of the nation and the world. In celebration of its 40th anniversary year, the Melbourne Symphony Orchestra will perform the award-winning score by Bruce Rowland live to screen for the World Premiere of this iconic film in concert, under the baton of Vanessa Scammell.
This world premiere at Arts Centre Melbourne honours Victoria as the film’s spiritual homeland and offers the unique opportunity to revisit the beloved Australian classic on the big screen with the Melbourne Symphony Orchestra.”
KATE CEBERANO: MY LIFE IS A SYMPHONY
with the Canberra Symphony Orchestra
“For this concert the Canberra Symphony Orchestra was augmented by Ceberano’s key musical collaborators in Paul Cecchinelli on the Steinway grand, Kathleen Halloran (guitar), Jonathon Zion (electric Bass), Gordon Rytmeister (drums and Piano) and backing vocalists Jessica Fairlie and Alison Ainsworth, all conducted by Vanessa Scammell.
But despite the presence of a stage-full of musicians Ceberano quickly established that this concert was not going to be a starchy affair.
After confiding her pleasure in revisiting these favourite songs and the excitement she felt in being able to share these new arrangements with her Canberra audience, she launched into a sublime performance of Sweet Inspiration.”
THE LITTLE MERMAID LAUNCH
at The State Theatre
Electric Fields
with Melbourne Symphony Orchestra for NAIDOC Week 2023
“I had not seen a female conductor up on the MSO stage before so it was an absolute delight to see Vanessa Scammell walk out as the night’s conductor! Wearing a figure-hugging sheer long black dress, with her blonde hair in a messy braid down her back, she looked like a modern-day princess and I found myself mesmerised by her flowing gestures as she guided the musicians throughout the night.“
BIRDS OF TOKYO
with the Melbourne Symphony Orchestra
“There’s no doubt the usual Birds dynamic was challenged by the symphonic merger, leading to a more toned down show from bassist Ian Berney and drummer Weston, but that allowed Kenny’s raw talent and stunning vocals along with Sarangapany’s charisma to shine, with a perfect mix with the flawless orchestra, led by composer Vanessa Scammell.“
with the Queensland Symphony Orchestra
“The songs from Birds of Tokyo lend themselves magnificently to working with an orchestra and under the deft baton of ethereal conductor Vanessa Scammell, who also lent a hand on the piano, the songs were next level good. Good Lord and I’d Go With You Anywhere had the fans clapping and singing along.”
with West Australian Symphony Orchestra
“The Conductor weaves her wand like a protagonist of a JK Rowling classic, orchestrating a magical spell of an acoustic sensation.”
TO BARBARA, WITH LOVE
with the Melbourne Symphony Orchestra
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage. “
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Conductor Vanessa Scammell is quite the fashion plate herself, an evocative black number showcasing her toned arms as she wields the baton with poise and polish. More to the point, she is on top of her game, as is the MSO … giving us a memorable night of entertainment and a celebration of the inimitable Barbra Streisand, which is to be savoured.”
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage.”
SINGING IN THE RAIN IN CONCERT
at QPAC
“No less impressive was Musical Director, Vanessa Scammell, who gave a meticulously prepared reading of this memorable score. From the orchestral ‘Overture’ and ‘Entr’acte’ through some of the best-known songs, she delivered a varied and infinitely colourful palette of sounds.“
– Arts Hub
AN AMERICAN IN PARIS
with The Australian Ballet
“…an ensemble of superlative dancers, including another Australian Ballet soloist, Jake Mangakahia, impressive as Lise Dassin’s partner in the An American in Paris ballet, and of course George and Ira Gershwin lush score, brilliantly adapted and arranged by Rob Fisher, and given a lush performance by an excellent Sydney Orchestra under the attentive baton of Music Director, Vanessa Scammell, and you have a production guaranteed to send you out into the busy Sydney traffic with a spring in your step and perhaps a tear in your eye.“
HARRY POTTER AND THE DEATHLY HALLOWS™ PART 1 IN CONCERT
with The Melbourne Symphony Orchestra
“Performed in concert by the Melbourne Symphony Orchestra and conducted by Vanessa Scammell, Desplat’s compositions elevate the material in a manner that’s more tangible than watching the film at home.“
– FilmInc
FESTIVAL OF OUTBACK OPERA 2022
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Audiences at Singing in the Night were immersed in beautiful music enjoying works from composers including Verdi and Puccini and much-loved musical numbers from shows such as South Pacific, and My Fair Lady.
The performances were led by Australian conductor Vanessa Scammell who curated the program with Camerata’s Artistic Director Brendan Joyce.”
– Aruga
CLASSIC ROCK LIVE
with The Adelaide Symphony Orchestra
“Classic Rock Live truly unearths the raw power of these rock masterpieces with over 50 musicians on-stage with the ASO conducted by the acclaimed Vanessa Scammell and arrangements by the award-winning Jamie Messenger.”
– HIFIWAY
THE BAMBOOS
with The Melbourne Symphony Orchestra
“Having the opportunity to perform our music on stage with the full Melbourne Symphony Orchestra at Hamer hall is really the stuff that dreams are made of. After such a challenging 2020 in Melbourne I feel like these hometown shows are going to be extra cathartic for all involved and so rest assured we’ll be pulling out ALL the stops.”
PETER AND JACK
with Barry Humphries and the Adelaide Symphony Orchestra
“Conductor Vanessa Scammell expertly handles the complexities of various musical styles and innumerable cues, whilst drawing from the Adelaide Symphony Orchestra, impassioned performances of music.”
BROADWAY TO LA SCALA
with the Adelaide Symphony
“A hauntingly beautiful You’ll Never Walk Alone led to a well-deserved standing ovation for the performers and for Musical Director Vanessa Scammell who not only led the sensational Adelaide Symphony Orchestra with energy and restraint as needed, but also possesses the most sculpted ‘set of guns’ ever seen onstage.”
SOUTH PACIFIC
Opera Australia
“From the overture, and the tender opening scene between Emile De Becque (Teddy Tahu Rhodes) and Nellie Forbush (Lisa McCune), the show is already a joy to behold; the 33-piece orchestra, led by Vanessa Scammell, soars.”
HELLO DOLLY
The Production Company
“The tight orchestra is heard at their very best under the exacting baton of musical director Vanessa Scammell. “
SWEENEY TODD
A TEG Life Like Company production
“The orchestra, under the excellent baton of Musical Director Vanessa Scammell, delivers Sondheim’s sometimes operatic and demanding, sharp, dark and spiky score magnificently.”
JECKYL and HYDE
Concertworks
Maestro Vanessa Scammell again illustrates her flair for musical theatre, her meticulous work allowing the score to be heard at its very best. Orchestral music is rich and lush, and vocal harmonies are expertly realised.”
THE MERRY WIDOW
with West Australian Opera
“Taryn Fiebig made her long-overdue company debut as Hanna under the baton of Vanessa Scammell, WA Opera’s first female conductor.”
with Opera Australia at the Sydney Opera House
“Conductor Vanessa Scammell achieves a delightful Viennese sound, having the strings play with disciplined uniformity and maintaining a gossamer-light touch throughout the other instruments. Scammell’s pristine work allows the hummable tunes to be heard at their very best.”
DARK SKY SERENADE & SINGING IN THE NIGHT
with Opera Queensland, Festival of Outback Opera
“All the pieces in the repertoire that Conductor Vanessa Scammell, Camerata and Opera Queensland chose are beautiful.”
Indie Symphony: Videogames in Concert
with Orchestra Victoria
“Hosted by Meena Shamaly from ABC Classic’s Game Show and conducted by Vanessa Scammell, the evening’s program consisted of Indie games from both home and abroad.
Indie Symphony: Videogames in Concert was a truly unique experience, and I am thankful to have had the opportunity to attend.”
KATE CEBERANO: MY LIFE IS A SYMPHONY
with the Adelaide Symphony Orchestra
“As Ceberano rounded out the second set with songs like “Cherry Blossom Lipstick” and the beautiful ode to her nephew “Louis Song,” all under the exquisite care and direction of composer Vanessa Scammell and the ASO, it was clear that Cebrano’s brief to Irwin in their initial discussions for this show, to create something in the same vein as “Golden Age Movie Musicals,”had come to fruition and in the most organic and unassuming way. As Scammell kept not just the audience enthralled with her ethereal direction as she guided her orchestra, Irwin’s arrangements coupled with Ceberano’s vocals provided what would clearly be the Cabaret Festival’s stand out performance – and that was on the first weekend. “
The Man from Snowy River in Concert
with the Melbourne Symphony Orchestra
“In celebration of the enduring legacy of Director George Miller’s iconic Australian film, the live-to-screen performance from the MSO, masterfully conducted by Vanessa Scammell, will showcase the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland.”
“This live-to-screen performance from the MSO, conducted by Vanessa Scammell, showcases the film’s APRA and AFI award-winning score by legendary composer Bruce Rowland. For the first time since its release in 1982, this powerful score is played alongside the nostalgic visuals of this iconic film and the endearing story that has captured the hearts of generations. Seeing Sigrid Thornton and Tom Burlinson on stage was just the icing on the cake and the cherry on top. They are first on stage as they share behind-the-scenes stories and personal experiences. “
“In 1982, the Australian cinema landscape changed forever when The Man from Snowy River captured the hearts of the nation and the world. In celebration of its 40th anniversary year, the Melbourne Symphony Orchestra will perform the award-winning score by Bruce Rowland live to screen for the World Premiere of this iconic film in concert, under the baton of Vanessa Scammell.
This world premiere at Arts Centre Melbourne honours Victoria as the film’s spiritual homeland and offers the unique opportunity to revisit the beloved Australian classic on the big screen with the Melbourne Symphony Orchestra.”
KATE CEBERANO: MY LIFE IS A SYMPHONY
with the Canberra Symphony Orchestra
“For this concert the Canberra Symphony Orchestra was augmented by Ceberano’s key musical collaborators in Paul Cecchinelli on the Steinway grand, Kathleen Halloran (guitar), Jonathon Zion (electric Bass), Gordon Rytmeister (drums and Piano) and backing vocalists Jessica Fairlie and Alison Ainsworth, all conducted by Vanessa Scammell.
But despite the presence of a stage-full of musicians Ceberano quickly established that this concert was not going to be a starchy affair.
After confiding her pleasure in revisiting these favourite songs and the excitement she felt in being able to share these new arrangements with her Canberra audience, she launched into a sublime performance of Sweet Inspiration.”
THE LITTLE MERMAID LAUNCH
at The State Theatre
Electric Fields
with Melbourne Symphony Orchestra for NAIDOC Week 2023
“I had not seen a female conductor up on the MSO stage before so it was an absolute delight to see Vanessa Scammell walk out as the night’s conductor! Wearing a figure-hugging sheer long black dress, with her blonde hair in a messy braid down her back, she looked like a modern-day princess and I found myself mesmerised by her flowing gestures as she guided the musicians throughout the night.“
BIRDS OF TOKYO
with the Melbourne Symphony Orchestra
“There’s no doubt the usual Birds dynamic was challenged by the symphonic merger, leading to a more toned down show from bassist Ian Berney and drummer Weston, but that allowed Kenny’s raw talent and stunning vocals along with Sarangapany’s charisma to shine, with a perfect mix with the flawless orchestra, led by composer Vanessa Scammell.“
with the Queensland Symphony Orchestra
“The songs from Birds of Tokyo lend themselves magnificently to working with an orchestra and under the deft baton of ethereal conductor Vanessa Scammell, who also lent a hand on the piano, the songs were next level good. Good Lord and I’d Go With You Anywhere had the fans clapping and singing along.”
with West Australian Symphony Orchestra
“The Conductor weaves her wand like a protagonist of a JK Rowling classic, orchestrating a magical spell of an acoustic sensation.”
TO BARBARA, WITH LOVE
with the Melbourne Symphony Orchestra
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage. “
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Conductor Vanessa Scammell is quite the fashion plate herself, an evocative black number showcasing her toned arms as she wields the baton with poise and polish. More to the point, she is on top of her game, as is the MSO … giving us a memorable night of entertainment and a celebration of the inimitable Barbra Streisand, which is to be savoured.”
“Maestro Vanessa Scammell leads the musicians with understated flair, drawing grand sound with only the most delicate of gestures. Scammell exhibits extraordinary range, swiftly segueing from style to style with barely a beat to catch her thoughts. Whether the singers are downstage behind her back or far upstage, Scammell maintains tight, yet warmly supportive, control of all on stage.”
SINGING IN THE RAIN IN CONCERT
at QPAC
“No less impressive was Musical Director, Vanessa Scammell, who gave a meticulously prepared reading of this memorable score. From the orchestral ‘Overture’ and ‘Entr’acte’ through some of the best-known songs, she delivered a varied and infinitely colourful palette of sounds.“
– Arts Hub
AN AMERICAN IN PARIS
with The Australian Ballet
“…an ensemble of superlative dancers, including another Australian Ballet soloist, Jake Mangakahia, impressive as Lise Dassin’s partner in the An American in Paris ballet, and of course George and Ira Gershwin lush score, brilliantly adapted and arranged by Rob Fisher, and given a lush performance by an excellent Sydney Orchestra under the attentive baton of Music Director, Vanessa Scammell, and you have a production guaranteed to send you out into the busy Sydney traffic with a spring in your step and perhaps a tear in your eye.“
HARRY POTTER AND THE DEATHLY HALLOWS™ PART 1 IN CONCERT
with The Melbourne Symphony Orchestra
“Performed in concert by the Melbourne Symphony Orchestra and conducted by Vanessa Scammell, Desplat’s compositions elevate the material in a manner that’s more tangible than watching the film at home.“
– FilmInc
FESTIVAL OF OUTBACK OPERA 2022
with Caroline O’Connor, Katie Noonan, Elise McCann and Ryan Gonzalez and the Melbourne Symphony Orchestra
“Audiences at Singing in the Night were immersed in beautiful music enjoying works from composers including Verdi and Puccini and much-loved musical numbers from shows such as South Pacific, and My Fair Lady.
The performances were led by Australian conductor Vanessa Scammell who curated the program with Camerata’s Artistic Director Brendan Joyce.”
– Aruga
CLASSIC ROCK LIVE
with The Adelaide Symphony Orchestra
“Classic Rock Live truly unearths the raw power of these rock masterpieces with over 50 musicians on-stage with the ASO conducted by the acclaimed Vanessa Scammell and arrangements by the award-winning Jamie Messenger.”
– HIFIWAY
THE BAMBOOS
with The Melbourne Symphony Orchestra
“Having the opportunity to perform our music on stage with the full Melbourne Symphony Orchestra at Hamer hall is really the stuff that dreams are made of. After such a challenging 2020 in Melbourne I feel like these hometown shows are going to be extra cathartic for all involved and so rest assured we’ll be pulling out ALL the stops.”
Peter and Jack with Barry Humphries and the Adelaide Symphony Orchestra
Broadway to La Scala with the Adelaide Symphony
South Pacific Opera Australlia
Hello Dolly Company Production
Sweeney Todd a TEG Life Like Company Production
JECKYL and HYDE @ Concertworks
The Merry Widow with Opera Australia at the Sydney Opera House
The Merry Widow with West Australian Opera
Indie Symphony: Videogames in Concert with Orchestra Victoria
Dark Sky Serenade & Singing In The Night with Opera Queensland, Festival of Outback Opera
